Part 1
COMING SOON, MARCH 2010!
Entre classics and el juego, a compilation of works
(MIS 10)
Casa con dos puertas, mala es de guardar, by Pedro
Calderon de la Barca (CB 10)
Martha the Divine, by Tirso de Molina (TM 10)
Con quien vengo, vengo, by Pedro Calderon de la Barca
(CB 101)
El caballero del milagro, by Lope de Vega (VC 10)
1. Copyright and Lending Policy
Copyright laws will not allow the Association to give permission to sell the
plays or to copy them in their entirety; however, copies may be made of small
segments of the recorded productions in order to make visual aids for
professional papers, for presentation, or for pedagogical purposes. The films
are available to members of the Association on a loan basis for the cost of
handling and mailing. Presently, fees have been set by the Board of Directors at
$5.00 for mailing in the U.S., $7.50 in Canada and other countries and must be
paid in full before the order can be mailed. Members have use of the videotape
for one month. The films may be borrowed for a semester at a cost of $20.00.
Members not returning films by the designated return date will be assessed
additional monthly fees. For currency outside the United States, all funds must
be drawn on US. banks. Members can pay by logging into the website and using the
PayPal link or by mailing a check or money order, payable to AHCT, to the
Association treasurer. If you should need to order films for delivery via a
speedier means than normal, you will also be billed for the additional cost. If
fees remain unpaid or tapes not returned, all borrowing privileges will be
suspended until the matter is resolved.
2. To order films, contact:
AHCT VIDEO LIBRARY
in case of problems, call:
Phone: (616) 331-3372
Fax: (616) 331-3025
3. Present Edition
The present edition is the tenth in a series of AHCT catalogs, the first of
which appeared in 1985. This edition of the CATALOG contains a continually
updated listing of our holdings and features plays dramatized at the Chamizal
Siglo de Oro Festival as well as at various colleges and universities throughout
the United States, among which are Virginia Commonwealth University, Georgetown
University, Texas A&M, the University of Texas and the University of Missouri,
as well as selected professionally prepared materials.
3. A PERSONAL MESSAGE FROM THE PRESIDENT OF THE AHCT
The Association for Hispanic Classical Theater, Inc. was chartered as a
non-profit organization in 1984 to promote and foster greater appreciation for
Spain's classical drama in production. An international organization, the
Association counts among its members literary scholars, theatrical directors and
producers, teachers, and other aficionados of Spain's Golden Age of
Theater.
The Association maintains a rare collection of Spanish Renaissance and Baroque
plays on film and videotape. The materials in the Association's visual library
are available to its members and serve as resources for scholarly
investigations, an invaluable repertoire for theatrical companies, exciting
tools for the classroom, and delightful entertainment for the general public. A
word of thanks is owed to the following benefactors whose contributions have
enabled AHCT to carry out its mission:
•
Kara Dunn Armstrong Foundation
•
Everett W. Hesse Foundation
•
Ruth Parr McWhorter Foundation
•
Program for Cultural Cooperation Between Spain's Ministry of
Culture United States Universities
Signed: Donald T. Dietz
5. The AHCT PERFORMS THESE SERVICES
•
Videotapes DRAMAS presented in the Siglo de Oro Drama Festival at
El Chamizal National Memorial.
•
Maintains an ARCHIVE of filmed plays from around the world and
makes them available to AHCT members for borrowing.
•
Has developed and continues to add to a series of VIDEOTAPED
LECTURES and studies of Golden Age drama that is then made available to AHCT
members.
•
Publishes a CATALOG of the videotaped plays, lectures and studies
for our members.
•
Sponsors and encourages LIVE PRESENTATIONS of the Golden Age plays
in English translation via the Walker M. Reid award.
•
Encourages members and others to create ENGLISH TRANSLATIONS of
Golden Age drama by offering the Franklin G. Smith award to a translator who
works with a stage company to prepare a production of the work.
•
Organizes SESSIONS ON COMEDIA PERFORMANCE at the MLA and other
professional meetings.
•
Links AHCT members via a NEWSLETTER, an E-MAIL system, and an
ELECTRONIC BULLETIN BOARD. For information on these, please contact Vern
Williamsen at vwilliam@u.arizona.edu.
•
Maintains an ELECTRONIC LIBRARY containing searchable and
downloadable texts of more than two hundred twenty comedias, autos
sacramentales, and entremeses in Spanish, comedias in English
translation, several useful biliographies, including a lengthy list of plays
available in English translation, and various other teaching and study
informational materials.
This
library is located at:
www.comedias.org
•
Assists members in the ACQUISITION OF GRANTS pertaining to
Comedia performance.
6. Membership
Membership in the Association for Hispanic Classical Theater, Inc. is open to
any interested person. For more information, please contact:
Anita Stoll
Department of Modern Languages
Cleveland State University
Cleveland, OH 44115
Please include your name, address and zip; home and work phone numbers; FAX
number and e-mail address, if you have either of these; job description and
title, if appropriate. U.S. currency, please. Dues renewable annually in March.
Tax-deductible contributions in any amount are encouraged and appreciated.
THE KARA DUNN ARMSTRONG COLLECTION
In 1985, William D. Armstrong of Lubbock, Texas, inaugurated this collection in
memory of his wife, Kara Dunn Armstrong, a teacher of Spanish who, during her
lifetime had a deep and abiding interest in Spanish language, history, and
culture. Mrs. Armstrong was a teacher of Spanish in the Lubbock Public Schools
and at Texas Tech University. The number of films and videotapes in the
collection has steadily grown since its inception.
DVD FORMAT
Please note that all DVDs are in NTSC format.
THE HOLDINGS OF THE ARCHIVES COLLECTION
AHCT has accumulated a wealth of visual materials as a result of the annual
Siglo de Oro Drama Festival which has taken place each March since 1976 at the
Chamizal National Memorial in El Paso, Texas. In addition to the many slides,
photos, critiques, and other visuals are videotapes in 3/4 inch black and which
of the complete festival seasons of 1979 and 1980. These videotapes appear in
the AHCT catalogue thanks in part to a grant and funding from the Program for
Cultural Cooperation Between Spain's Ministry of Culture and United States'
Universities.
HISTORY AND DEVELOPMENT OF SPANISH THEATER
LA EDAD DE ORO DEL TEATRO ESPANOL (HD 88)
Produced by the Northwood Institute and the Institute for Advances Studies in
Theater Arts (IASTA). Spanish. The original abbreviated version in Spanish of
"The Spanish Golden Age of Theater," I (HD87) and II (HD872). Kara Dun Armstrong
Collection. Color. 18 minutes.
FIESTA DE AMOR Y DE CELOS (HD 86)
A promotional film produced by Televisión Española for a proposed television
mini-series. 1983. Co-authored by Fernando Fernán Gómez and Jesús García de
Dueñas, the script is based on the Calderón-Hidalgo collaboration for CELOS
AUN DEL AIRE MATAN. This tape includes a dramatization of the interaction
between the famous Spanish dramatist and the composer. Also of historical
interest are the actual setting of the corral in Almagro and the artists'
conceptions of the Corral del Príncipe and the Coliseo del Buen Retiro.
Background music for the film is from Calderón and Hidalgo's CELOS.
Color. 20 min.
THE SPANISH GOLDEN AGE OF THEATER, PART I (HD 87)
Produced by the Northwood Institute and the Institute for Advanced Studies in
Theater Arts (IASTA). 1987. English. This study forms a part of IASTA's series
of films entitled "Theater: The Search for Style." Part I treats Spain's
theatrical tradition at the time of Lope de Vega. It features extensive
dramatized scenes from Lope's THE KNIGHT FROM OLMEDO and includes archive
footage of Director José Tamayo's 1962 production of the play for IASTA. Kara
Dunn Armstrong Collection. Color, 28 min.
THE SPANISH GOLDEN AGE OF THEATER, PART II (HD 872)
Produced by the Northwood Institute and the Institute for Advanced Studies in
Theater Arts (IASTA). 1987. English. This study forms a part of IASTA's series
of films entitled "Theater: The Search for Style." Part II treats Spain's
theatrical tradition at the time of Calderón de la Barca. IASTA's Jack Eddelman
directs a group of actors in dramatizing vignettes from Calderóns' THE
PHANTOM LADY, which was produced in 1986. This also includes archive footage
of Director José Luis Alonso's earlier production of the same play for IASTA in
1965. Kara Dunn Armstrong Collections. Color. 28 min.
VISUAL STUDIES SERIES
The Visual Studies Series has several sub-collections detailed below:
MESA REDONDA
Post-performance discussions after each live stage production has developed into
a tradition of the Chamizal Siglo de Oro Drama Festival. Since 1985, AHCT's
camera has taped the round table discussion, MESA REDONDA, as the
directors, actors,and experts dialogue and interact with the audiences.
MESA REDONDA '85 (VSS 872)
Chamizal. 1985. Discussants: Dr. Alfredo Hermenegildo, University of Montreal;
Dr. César Oliva, Murcia, Spain. LA CELESTINA (RF85); ENTRE BOBOS ANDA EL
JUEGO (RZ85); EL GALÁN FANTASMA (CB853). Color.
MESA REDONDA '86 (VSS 873)
Chamizal. 1986. Discussants: Dr. John J. Allen, University of Kentucky; Dr.
Roberto Pomo, University of Texas at El Paso. EL BURLADOR DE SEVILLA (TM86);
EL CELOSO PRUDENTE (TM862); LOS EMPEÑOS DE UNA CASA (C186); EL BUSCÓN (QF86);
ENTREMESES DE MUJERES EN FARSA PICANTE (MIS86); EL DUEÑO DE LAS ESTRELLAS (RA86).
Color.
MESA REDONDA '87 (VSS 874)
Chamizal. 1987. Discussants: Dr. Charles V. Ganelin, University of Tulsa; Sra.
Maritza Wilde, Bolivian Theater Institute, La Paz, Bolivia. LA VENGADORA DE
LAS MUJERES (VC873); EL EXAMEN DE LOS MARIDOS (RA87); LA PRUEBA DE LAS PROMESAS
(RA 872); LA BARCA DE LA GLORIA (VG87); EL GRAN MERCADO DEL MUNDO (CB87); LOS
MELINDRES DE BELISA (VC872). Color.
MESA REDONDA '88 (VSS 88)
Chamizal. 1988. Discussants: Dr. Hugo Carrillo, Guatemala; Dr. Teresa J.
Kirschner, Simon Fraser University, Canada. GANAR AMIGOS (RA88); PLEITO
MATRIMONIAL DEL CUERPO Y EL ALMA (CB884);JUEGOS DE AMOR Y DE CULPA (MIS88); LOS
ENREDOS DE UNA CASA(C188); LA DEVOCIÓN DE LA CRUZ (CB882); EL GRAN TEATRO DEL
MUNDO(CB883); EL GRAN ENTREMÉS DE LOS CELOS (CS88); EL BURLADOR DE SEVILLA
(TM88). 3 vols. Color.
MESA REDONDA '89 (VSS 89)
Chamizal. 1989. Discussants: Dr. Victor F. Dixon, Trinity College, University of
Dublin, Dublin, Ireland; Dr. José María Ruano de la Haza, University of Ottawa,
Canada. ESTA VIDA ES UNA BARCA (CB89); A CASTRO (fa89); DE BRUJAS Y
ALCOVETEIRAS (RF89);LA MUJER POR FUERZA (TM89); PERIBÁÑEZ Y EL COMENDADOR DE
OCAÑA(VC89). 3 vols. Color.
MESA REDONDA '90 (VSS 90)
Chamizal. 1990. Discussants: Dr. Hugo Carrillo, Universidad de San Carlos,
Guatemala City, Guatemala; Dr. Isaac Benabu, Hebrew University, Jerusalem,
Israel. DAR TIEMPO AL TIEMPO (CB90);JUGANDO CON CALDERÓN (CB902); GAMBLER'S
HOUSE (LA CASA DEL TAHUR)(MA90); LOS ENGAÑADOS (RL90); PALABRAS Y PLUMAS (TM90);
EL BURLADOR DE SEVILLA (TM902); EL ACERO DE MADRID (VC902). 3 vols. Color.
MESA REDONDA '91 (VSS 91)
Chamizal. 1991. Discussants: Professor B. Alexis Gonzales, Loyola University,
New Orleans, Louisiana; Dr. José Amezcua Gómez, Universidad Autónoma
Metropolitana-Iztapalapa, México, DF. LA ÍNSULA DE SANCHO PANZA (CS91); EL
LINDO DON DIEGO (MC91); ABRE EL OJO (RZ91); EL CABALLERO DE OLMEDO (VC91); LA
GALLARDA TOLEDANA (VC912); LA TRAGICOMEDIA DE DON DUARDOS VG91);ENTREMESES
(MIS91); LOS TROTES DEL PASO ACÁ (MIS912). 3 vols. Color
MESA REDONDA '93 (VSS 93)
Chamizal. 1993. Discussants: Dr, Isaac Benabu, Hebrew University, Jerusalem,
Israel; Dr. Isaac Chacrón, New National Theater Company of Venezuela; Dr.Myrna
Casa, Puerto Rico. EL BASTARDO MUDARRA (VC932); LAS BIZARRÍAS DE BELISA
(VC93); DE ORO Y BARRO (MIS93); EL DESDÉN CON EL DESDÉN (MC93) DIÁLOGO ENTRE
ELAMOR Y UN VIEJO (CR93); ENTREMESES (INTERLUDES) (CS93); EL VERGONZOSO EN
PALACIO (THE OUTCAST IN)TM93). Two volumes. Color.
MESA REDONDA '94 (VSS 94)
Chamizal. 1994. Discussants: Dr. Guillermo Schmidhuber, Universidad de
Guadalajara; Dr. William Oliver, University of California; Dr. Arturo Pérez
Pisonero, University of Texas at El Paso. EL ALCALDE DE ZALAMEA (CB94);
ELANZUELO DE FENISA (VC942) LOS BALCONES DE MADRID (TM94); LA GATOMAQUIA
(VC948); LOCOS AMORES (MIS94); EL PERRO DEL HORTELANO (VC 94). 3 vols.
Color.
MESA REDONDA 95 (VSS 95)
Chamizal. 1995. Discussants: Dr. José Luis Suárez García, University of Texas at
El Paso; Maestro Jorge Galván, México. DE FUERA VENDRÁ (MC 951), LA DÉCIMA
MUSA (CI95), LOS ENCANTOS DE LA CULPA (CB951), ENTREMESES (CS95), EL GALÁN
FANTASMA (CB952), EL LINDO DON DIEGO (MC952), LA VERDAD SOSPECHOSA (LOVE'S TRUE
LIES) (RA95), LA VILLANA DE LA SAGRA (TM95). 3 vols. Color.
MESA REDONDA 96 (VSS 96)
Chamizal. 1996. Discussants: Dr. David M. Gitlitz, University of Rhode Island;
Dr. Antonio García del Todo, Universidad Interamericana de Puerto Rico. AUTO
DE LA PASIÓN (FL96), LA BURLAS DE LAS MUJERES (LA DAMA BOBA) (VC962), LA DAMA
BOBA (VC96), LA DAMA DUENDE (CB 961), DON QUIJOTE Y SANCHO PANZA (CS96), LOS
EMPEÑOS DE UNA CASA (THE HOUSE OF TRIALS) (CI96), EL ROMANCERO (MIS96), LA VIDA
ES SUEÑO (CB962). 3 vols. Color.
MESA REDONDA 97 (VSS 97)
Chamizal. 1997. Discussants: Evangelina Rodríquez Cuadros, Universidad de
Valencia, Spain; César Oliva Olivares, Universidad de Murcia, Spanish, REY Y
TROBADOR (based on Tirso de Molina's LA PRUDENCIA EN LA MUJER), EL CASTIGO SIN
VENGANZA (LV971), ÑAQUE O DE PIOJOS Y ACTORES (AR971), EL CASTIGO SIN VENGANZA
(LV972), THE PHYSICIAN OF HIS HONOR (EL MÉDICO DE SU HONRA) (CB972), CASA CON
DOS PUERTAS MALA ES DE GUARDAR (CB971). 3 vols. Color.
MESA REDONDA ’99 (VSS 994)
Chamizal 1999. Discussants: Dr. Issac Benabu, Hebrew University, Jerusalem,
Israel and Mario Sánchez, artistic director of Teatro Avante, Miami, Florida.
(CB991) Life is a Dream (La vida es sueño). Chamizal 1999. Texas
Tech University Theatre. Lubbock, Texas. Director: Jim Bush. Translation: Roy
Campbell.
MESA REDONDA ’99 (VSS 996)
Chamizal 1999. Discussants: Dr. Issac Benabu, Hebrew University, Jerusalem,
Israel and Mario Sánchez, artistic director of Teatro Avante, Miami, Florida.
(CB993) El astrólogo fingido. Chamizal 1999. Teato de Repertorio
Latinoamericano. Carácas, Venezuela. Director: Costa Palamides.
MESA REDONDA ’99 (VSS 997)
Chamizal 1999. Discussants: Dr. Issac Benabu, Hebrew University, Jerusalem,
Israel and Mario Sánchez, artistic director of Teatro Avante, Miami, Florida.
(CI991) Los enredos de una casa. Chamizal 1999. Teatro de Repertorio
Latinoamericano. Carácas, Venezuela. Director: Costa Palamides.
MESA REDONDA
’00 (VSS 00)
Chamizal. 2000. (Note: Poor audio/video quality).
MESA REDONDA
’03 (VSS 031)
Chamizal. 2003. Discusion of Friendship Betrayed (ZS 03).
MESA REDONDA
’03 (VSS 033)
Chamizal. 2003.
MESA REDONDA
’04 (VSS 041)
Chamizal. 2004. Discussant: Dr. Susan Paun de Garcia, Denison
University; Dean Zayas, University of Puerto Rico. EL VERGONZOSO EN EL
PALACIO (TM 042).
UNDERSTANDING THE COMEDIA
The Visual Study Committee has designed a series of videotapes, UNDERSTANDING
THE COMEDIA, an effort to correlate interpretive studies of the text with
action production. This series of televised lectures attempts to study the
Spanish classical drama by using slides, film and video clips of actual stage
productions as illustrations. AHCT wishes to acknowledge the generous
financial support from the Program for Cultural Cooperation Between Spain's
Ministry of Culture and United States' Universities in carrying out this
project.
UNDERSTANDING THE COMEDIA, I (VSS 902)
Indiana University. 1990. "Visualizing Tirso: El burlador de Sevilla, Marta
la Piadosa, and Modern Audiences." Lecturer:Professor Catharine Larson,
Indiana University. Color.
UNDERSTANDING THE COMEDIA, II (VSS 903)
Indiana University. 1990. "Restaging the Comedia: The case of Calderón de la
Barca--El galán fantasma." Lecturer: Professor Charles V. Ganelin, Purdue
University. Color.
UNDERSTANDING THE COMEDIA, III (VSS 913)
Indiana University. 1991. "Performing Golden Age Texts: Autos sacramentales
at the Chamizal Festival." Lecturer: Professor Dawn L. Smith, Trent University,
Canada. Color.
UNDERSTANDING THE COMEDIA, IV (VSS 921)
Indiana University. 1992. "Juan Ruiz de Alarcón y su Examen de maridos."
Lecturer (in Spanish): Margarita Peña, Universidad Autónoma de México, México,
D.F. Color
UNDERSTANDING THE COMEDIA, V (VSS 943)
Lafayette, Indiana. 1994. "In the End is the Beginning: Reading a
Seventeenth-Century Play text for the Stage." Lecturer: Professor Isaac Benabu,
Hebrew University, Israel. Color.
The Pioneers
The videotapes in this collection consist of conversations with those figures in
the field who had a substantial role in the founding and development of modern
investigation of Spanish Golden Age theater, particularly those who have been
associated over a period of time with North American Universities. The
interviews are conducted by former students or "mentees" of the Pioneers or by
fellow scholars. The purpose of this series is to remember and honor the work of
the Pioneers.
A CONVERSATION WITH JOHN J. ALLEN. (VSPS 051) Interview by Michael J. McGrath.
2003.
A CONVERSATION WITH DAVID M. GITLITZ. (VSPS 052) Interview by
Susan Paun de García. 2002.
A CONVERSATION WITH EVERETT HESSE. (VSPS 003) Interview by Hernan
Wilkins. 1996
A CONVERSATION WITH FRANCISCO RUIZ RAMÓN and JOSÉ MARÍA RUANO DELA HAZA. (VSPS
004) Interview by Elma Dassbach. 1996.
A CONVERSATION WITH SHIRLEY WHITAKER. (VSPS 005) Interview by Catherine Larson.
1997.
A CONVERSATION WITH VERN WILLIAMSEN. (VSPS 006) Interview by William
B. Blue. 1997.
A CONVERSATION WITH JOHN E. VAREY. (VSPS 007) Interview by Isaac Benabu.
1997.
A CONVERSATION WITH FRANK CASA. (VSPS 001) Interview by Robert Lauer.
1999.
A CONVERSATION WITH DONALD T. DIETZ. (VSPS 002) Interview by Sharon Voros.
1999.
A CONVERSATION WITH MATTHEW D STROUD. (VSPS 008) Interview by Anita
Stoll. 2000.
A CONVERSATION WITH FRANKLIN G. SMITH. (VSPS 009) Interview by
Donald Larson. 2000.
A CONVERSATION WITH HENRY W. SULLIVAN.
(VSPS 011) Interview by
William R. Blue. 2009.
A CONVERSASTION WITH EDWARD FRIEDMAN.
(VSPS 012) Interview by Jonathan
Wade. 2009.
MISCELLANEOUS
CHARACTERIZATION IN THE STAGING OF THE COMEDIA: ILLUSTRATIONS FROM
THE CHAMIZAL (VSS 86).
An experimental project which attempts to study the comedia by using slides and
video-tape clips of actual stage productions as illustrations. Produced by
Donald T. Dietz with technical assistance by Greg Geis of the Texas Tech Foreign
Language Learning Resource Center, this video tape analyzes the director's
influence on staging and characterization. Examples of characterizations are
taken from live productions at the Chamizal; The "Comendador" from the
1984 production of Lope's Fuenteovejuna; the "Duque Federico" from
the 1985 production of Calderón's El galán fantasma; and "El Autor"
from the 1979 and1980 productions of El gran teatro del mundo. Color. 22
min.
UTEP SYMPOSIUM 88
(VSS 882) El Paso, Texas. 1988. “¿QUÉ ES LA
COMEDIA?” Discussants: Professors Everett Hesse, Richard Tyler, José
Antonio Madrigal, Thomas O'Connor, Henry Sullivan. Part 2.
“TRAGEDIA—VISION SINCRETICA. Discussants: Professors Sharon Voros, James
Parr, Louise Fothergill-Payne.
ON THE HISTORY OF THE CHAMIZAL FESTIVAL. (VSS 912). 1991. El Paso,
Texas. Franklin G. Smith talks about the history of the Chamizal
National Memorial and the founding of the Siglo de Oro Festival. Color. 22
min.
UTEP SYMPOSIUM 93 (VSS 942) El Paso, Texas.1993.
“ON ACTING AND DIRECTING THE COMEDIA.” Discussants: Isaac Benabu, Hebrew
University; Maritza Wilde, La Paz, Bolivia. Color.
AHCT SYMPOSIUM 98 (VSS 981) El Paso, Texas. 1998. The Antaeus
Company. "TRANSLATING AND PERFORMING GOLDEN AGE COMEDIES IN 20th-
CENTURY AMERICA." Featuring: Dakin Matthews, Anne McNaughton, Mikael
Salazar and Nike Doukas. Professional actors read various scenes in
English from Matthew’s translations of Alarcon’s The Walls Have Ears and
The Liar.
AHCT SYMPOSIUM 98 (VSS 98) El Paso, Texas. 1998. A
CONVERSATION WITH BARCLAY GOLDSMITH. A discussion with Barclay
Goldsmith, director of Borderlands Theater, from Tucson, Arizona, on the
bi-lingual production of Lope's Fuenteovejuna.
AHCT SYMPOSIUM 00 (VSS O53) El Paso, Texas 2000.
Roundtable. “DIRECTING THE COMEDIA.” Discussants: Ricardo
Salvat, President of AIET, Barcelona; César Oliva Olivares, Murcia;
JoséLuis-Ibañez, UNAM; Barbara Mujica, Georgetown Univ.; Isaac Benabu, Hebrew
University of Jerusalem.
VAMOS AL SIGLO DE ORO (VSS 03). 2003. Produced and directed
by Titus Dos Remedios as a thesis project at the University of Rhode Island.
A promotional documetary on the the Siglo de Oro Drama Festival at the
Chamizal National Memorial in El Paso,Texas. This exciting historical
story of the founding of the Festival, its subsequent influence on AHCT and
theSpanish Golden Age Theater Symposium, as well as its continued success
through its outreach programs to schools in the El Paso area is dynamically told
through interviews of Park Service officials, AHCT members, Chamizal
audience, El Paso students, theater directors and actors.
(30 min)
AHCT SYMPOSIUM 01 (VSS 05) El Paso, Texas. 2001.
Denis Rafter. “REMOVING MASKS.”
AHCT SYMPOSIUM 01 (VSS 051) El Paso, Texas. 2001.
Workshop by David Pasto. “MOVEMENTS FOR SPANISH GOLDEN AGE PRODUCTIONS:
(OR HOW TO CURTSY, BOW AND WEAR FABULOUS CLOTHES).”
AHCT SYMPOSIUM PLENARY
03 (VSS 055) El Paso, Texas. 2003. A discussion with
Director David Pasto and Translator Cathy Larson on the University of Oklahoma's
production of Maria de Zayas's Friendship Betrayed.
AHCT SYMPOSIUM PLENARY
(VSS 056) El Paso, Texas. 2003. Michael H. discusses
the Chamizal production of Spite for Spite.
AHCT SYMPOSIUM PLENARY
04 (VSS 057) El Paso, Texas. 2004. Donald Dietz, Sharon
Voros, Matthew Stroud and Susan Paun de Garcia.
THE WORLD OF THE COMEDIA: PLAYHOUSES, AUDIENCES, PERFORMANCE,
ACTORS, ECONOMICS. AHCT SYMPOSIUM
PLENARY 06 (VSS 06) El Paso, Texas.
2006. A plenary presentation by John Jay Allen.
AHCT VIDEO ARCHIVE,
part 2